Archive for October, 2007

Class Log: Sanshin + Ken Jutsu + Kankaku

Posted in Budo Taijutsu on October 30, 2007 by Anthony Lucas

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Today was a easy & warm day to train. Not much physical pain had to be endured. Mostly confusion which was paramount to everything else today. We explored for the most part of class this morning medium range/distance using the shinai. One of the main principles of this drill was not to initiate an attack nor move into the space after uke cuts (tento kiri). The point was to move the entire body (i.e. legs) before the cut.

Note: Not before uke actually moves. This happens afterwards (ni jigen).

Here is another way of looking at the sanshin with the sword/shinai. 

1-Long distance – future – afterwards – uke nagashi

2-Medium distance – present – during – gyaku waza

3-Short distance – future – before – nage waza

Overall class was very interesting, many new concepts & principles was discovered. The feeling that Sensei talks about is an interesting phenomenal. The kukan was talked about from the range (medium) and the importance of maintaing the space. 

Note: When training don”t always look for truth,this limits you. Seek to discover the feeling through proper use of the legs, thus leads to good basics.

Kasumi no Ho – by Arnaud Cousergue, Bujinkan Shihan

Posted in Buyu Share on October 30, 2007 by Anthony Lucas

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Here is another great article for our “buyu share” section.  Arnaud wrote this article back in January of 2005 titled “Kasumi no Ho”. I remember this very well, for it was the year of Gyokko Ryu. We studied this school extensively along with the 6ft staff. In addition to this, Arnaud taught the “sanshin no kata” with this feeling. I’ve sinced added to my study of budo taijutsu.

Kasumi no Ho

Last August Sensei spoke about the theme for the year 2005. I heard him speak of “Kasumi no Hô” or “Kasumi no Bô”. I don’t know exactly which it was and I decided to keep the Kasumi no Bô as I knew that 2005 was dedicated to long weapons.

But recently, I watched the Daikomyô Sai of the year 1993, dedicated to the Bôjutsu of the Gyokko Ryû. And I remembered that he also spoke of being invisible. This is why until next time I go to Japan; I will consider it to be about Kasumi no Hô.

The sound “Hô” in Japanese has various meanings as always. I think Sensei was referring to the idea of “Hô” as in “Ninpô”. Therefore, I will consider the year of the Kasumi no Hô as the year of the principle/Law of fog.

Now how can we move with this principle? My understanding is that this feeling still belongs to the Juppô Sesshô system as it is the major idea of Ninpô Taijutsu.

Through the years we have been studying the Ni Jigen no Sekai (2 dimensional world), then we moved to the San Jigen no Sekai (3 dimensional world) and then last year in 2004 to the Yûgen no Sekai (spiritual non manifested world).

As always, this Kasumi no Hô (no Sekai) must be an evolution from what we have studied in the past.

Recently, one of my students said to me: “Arnaud this fog stuff isn’t it a mix of earth (Chi), water (Sui) and air (Fû), created by the light or fire (Ka) to create emptiness (Kû)?” I must admit that I did not think about it in that way before.

But it makes sense. Last year, we discovered the 6th element, “Shiki” aka consciousness. The fog is visible but you cannot grab it. It is the manifestation of this consciousness that we must gain access to.

Sensei during the Daikomyôsai spoke of us as heading to become artist in the real meaning of it.

This Kasumi no Hô attitude is a good stairway to transform ourselves into artists. At the artist level you have this ability to transmit things that cannot be explained. What is beauty? What is art? There is not an easy definition for those terms.

The Kasumi no Hô no Sekai is the next step to our evolution into the Bujinkan system. It is a concept that goes far beyond the others as it is formless. When you master the technique, the form is not necessary anymore.

So far, until I get more information during my next trip to Noda, I will consider that this Kasumi no Hô is something higher that everything that we have been studying so far. The reason is that it cannot be taught nor trained. It is something that comes naturally without any mental decision.

To express it I would say that this Kasumi state of mind is encompassing the first three levels of Juppô Sesshô. In his last book, the way of the Ninja, Sensei explains that this Yûgen no Sekai is not to be used at any moment. This is why we need this Kasumi no Hô.

With the Kasumi no Hô attitude, you can access to any of the other dimensions of the Juppô Sesshô. Taken by surprise, you disappear by answering strongly to the attack (Ni Jigen); Seeing the attack coming you move to its destination in space and time (San Jigen); aware of the danger you move prior to the attack (Yûgen).

But all instant you are following the concept of Kasumi no Hô. Your opponent sees you as if you were transparent, he cannot react properly as you are not manifesting yourself in his world.

I do not think that many Bujinkan practitioners will understand this fog state but I hope to be able to reach it.

Arnaud Cousergue

Bujinkan Shihan

Class Log: Kuruma Dori(wheel capture) + Ranpu(disordered wind)

Posted in Budo Taijutsu on October 28, 2007 by Anthony Lucas

The Bujinkan Koteki Dojo NOW holds three classes a week.  Tuesday, Friday and Sunday. Friday for our first class is our review of the syllabus (7pm-7:50pm) + second class(8pm-9pm) is ninpo taijutsu. This past friday it rained for the most part of the day & night. Usually when the weather is bad, this distracts many from training. However friday night we had a total of 4 people including myself. Small groups has it benefits.

First class:

- Tsuki drills (shizen, ichimonji and jumonji)

- Hi ken ju roppo (fudo, shuto, shitan, shikan, soku yaku, shuki and tai ken)

- Uke Nagashi (jodan and gedan uke)

- Taihenjutsu Ukemi (zenpo , ushiro, yoko nagare and zenpo kaiten)

From these we merged into the second class without a break til 8:30pm. However we revisited kuruma dori from the base kata to henka. Emphasis was placed on using the legs, spine and hips to enter. Prior before entering, we had to look at our guard as well as presenting an opening (kyojitsu) where uke would drive for success only to fall into a trap set by tori. This way, tori had to always be on guard with the exception of a moment to present an opening. Other then this, tori was in the present where uke was either in the future or past. From this kata I examined inryoku & jiryoku (magnetic & attraction) although these principles were not discussed. The message I often teach to my students is to always maintain the kukan (empty space, space) during the movement til tori decides to end the confrontation. This awareness must accompany the readiness of the possibility of multiple attackers. So always maintain a sense of knowing. This is the dragon. Following this playfulness, we took a 5 min break, which allowed me time to share some thoughts, concepts and stratagies with a friend who was visiting. To respect his privacy, I will not mention his name. Thanks for good training.

Class resumed with a sword technique that was born from (uke) doing do-kiri in hasso no kamae. With this drill we looked at long, medium and short distance with the sword. Often in the bujinkan, so many people if not all the time desires to cut rather then control uke with proper distance. These excerises I do with my students are very beneficial for them to work on their distance and openings. From this long range distance tori just striked uke’s hands. My point in doing this drill was to focus on the legs and show the students how important and realistic is was to use the legs to maintain this kukan from long range. We next learned the medium range with the same attack the only difference was the placement of the sword on the neck rather then striking the hands. This is often the best range for the student to experience how the ego takes hold of the situation and see for themselves the ego and its desire to cut. I always have to remind everyone that this is only a drill for learning how to use the legs, therefore forget the cut and learn the 3 rules of distance “long, medium and short” another way of looking at the sanshin. In the kihon happo, this is the evolution  of the basic layer for the student to learn. I’ll save my understanding of such for a later post.  Next, we have the short range which was henka of henka. Tori had to use the legs to accept ukes attack and create an opening by using the tsuka to strike the tsuba of uke at the same time shuto ukes right forearm and step off line. This off balanced uke and thus the opening allowed tori to enter with a muso dori henka. Tori use this entry to lock and throw uke. Part of understanding the kihon happo and with diligent practice, tori will learn infinitive locks to throw (nage jigen no seikai).

Next was our discovery of Ranpu. We started with the kata as it was shown to me by Noguchi sensei in Japan from my last trip back in April/May. We looked at oni kudaki and what appeared to be “soku yaku ken”. Once the kata was visited, we looked at some important principles of ranpu. From this practice we explored some henka and used “soku gyaku” (toe kick) to extend ukes left leg once the oni kudaki was takened. This not only broke ukes balance, it put uke in a aweful situation to do “seoi nage”. This kind of nage waza was important to discover. I talked very little about judokas and how often they use these throws following their entry. I showed some henka from seoi and visit iri nage. I learned from this, when uke is in the air, I can step (drop to one knee) from under and direct (kimon) uke into “taki otoshi”.  Not good!

PS: Class ended with a brief talk from our visiting friend. Also of importance was the announcement of next weeks seminar in New Jersey. Nov 3rd at the Tanuki Dojo with Jay Zimmerman. Showtime: 12pm til 6pm – visit the tanuki dojo website for more info.

In a very special way, thanks all.

Anthony Lucas – Bujinkan Shidoshi

Class Log: Kenjutsu Shinken Gata + Maai no Kiso

Posted in Budo Taijutsu on October 23, 2007 by Anthony Lucas

Today we totally devoted ourselves to the study of timing and distancing with the sword (shinai). We looked at long, medium and short distance, mainly using the legs to create the necessary distance.  From the short distance, we found gyaku wazas with the sword. This sort of vision is like that of the kihon happo – long (uke nagashi), medium (gyaku waza) and short distance (nage waza). The kihon happo allows you to use your legs and create distance from the three ranges I have mentioned.  Practicing and learning the kihon happo will grant you access to various levels of entry. With this, you should be able to hit all the waza simultaneously or instantaneously you so choose. So, we use the feeling of shinken gata and gave life to many basic waza using the sword.

In a friendly way,

Anthony Lucas – Bujinkan Shidoshi

Budo Taijutsu in Ohio, a friends Quest

Posted in Buyu Share on October 22, 2007 by Anthony Lucas

  First I need to explain here that at our dojo in Ohio we are just beginning in a new art for our school. We are basically a Karate school that has added jujutsu training in the past year. Our system of Sanuces Ryu Jujutsu is a very effective and powerful system of self defense. Sanuces Ryu teaches the skills of blocking, striking, throwing, and subduing in the practical (street) application. It was developed by the late Dr. Moses Powell in 1959. We have no experience in Budo Taijutsu, other than the introduction so generously given by Anthony last Saturday. Our first meeting was brief and we did not get the chance to work for more than just three hours, but I still got a small taste of the rich, traditional art that Anthony has embraced and immersed his life into. It was a rare opportunity for which I am very grateful!

My fist experience with Budo Taijutsu could be summed up with the words; fascinated, impressed, and captivated. I could see the ease and simplicity in Anthony’s movements as he showed how to confuse, off-balance, and trap his attacker. The beauty was the apparent lack of great effort on his part. He intuitively knew what to do as he anticipated his attacker’s movements. He had his attacker locked up in very few simple movements. He almost always had his attacker’s legs, arms and even head locked up with one or both of his own hands still free to do as he pleased! Wow!

A couple of our students tried to resist and move out of Anthony’s clutches as he presented the dragon, only to find that they had moved into yet another trap. Even I attempted to escape and found myself in a very uncomfortable toe lock. I felt like it was useless to resist, no matter what he would trap me.

Anthony’s teaching and demonstration was a very impressive display of technique, intuition, and a level of experience and knowledge that showed me that Anthony is the real deal. He knows what he knows and it is not some fake American flavor of Martial Arts, or sport karate. I was left with the desire to learn more.

By – Sheri Mcfarland

An Introduction to Budo Taijutsu

Posted in Budo Taijutsu on October 22, 2007 by Anthony Lucas

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 This past weekend I had the honor and pleasure to travel out to Ohio to a dear friends dojo and introduce Budo Taijutsu.  I would like to thank Kenny Wilson and Sheri Mcfarland for graciously welcoming me to their dojo. Everyone did very well. I was deeply impressed with how the students eagerly learned & understood what I taught. The feeling was my point in introducing the art of Bujinkan Budo Taijutsu. To sum up my point and hopefully get across to those of you who reads our blog regularly is this. Everyone this weekend was asked to demostrate a technique, and to my amazement, understood enough to expressed the feeling (budo) in their individual ways. I would definitely say that the Kenny Wilson dojo, has the kokoro for real budo.

Kind regards to all,

Anthony Lucas – Bujinkan Shidoshi

Training at the Bujinkan Koteki Dojo by Brian Gore

Posted in Buyu Share on October 18, 2007 by Anthony Lucas

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In July of 2006 my heart was broken as I discovered that my Sensei had abandoned Bujinkan as a system to develop his own style, a Christian type martial style, what ever that meant, and he made no bones about me not being anywhere near the type of person he wanted in his Dojo, not that I would have remained, being solely dedicated to Soke Masaaki Hatsumi and Bujinkan Budo Taijutsu. From that moment I was on a quest to find real Budo and began training in every Dojo in the Austin Texas region. I only found one individual in the region that could develop me in any way, Rob Boger of Mizukagami Dojo and he only trained one night a week! There was no way I could limit myself either in duration of training or quality.

I started watching videos of several individuals, Arnaud Cousergue, being the man that impressed me the most I decided to order some of his Juppo Sessho videos from Budomart USA, and finally talking to Anthony Lucas, the instructor of Koteki  Bujinkan in New York City. It seemed that we had much to talk about and after a few set backs and personal issues to deal with I set out to train with him and his students. Anthony has been nothing but honest, frank, and intelligent in his expressions and understanding of Bujinkan and the state that the Bujinkan seemed to be in here in America.

Finally the opportunity to train with him came! First in a park not far from his Dojo, we reviewed a few sword techniques, and I can’t say that I feel I impressed him much. I felt awful, like a cat that had its claws removed, he reminded me that Soke says if you want to measure someone’s Taijutsu, put a weapon in their hand, and seeing that my previous sensei never really gave me the opportunity to train with weapons much, once actually throwing a sword to the floor declaring it as useless, I never had the opportunity to incorporate those things tightly in with the rest of what I was learning.

At 7:00pm class started in earnest, meeting everyone was a great delight! It’s been a while since I have such high caliber Buyu to train with. Meredith is outstanding and will put a hurt on you in a serious way. Larry was cordial, polite. With a heart that is found rarely in the populace in general. Ken  being  quiet, discerning and extremely capable in his expression of gentleness and flow. 

It seems that one quest is over and another has begun, finally I have found a place that can take me to the summit which I aspire! The class was amazing! He enlightened me on how to utilize the Kukan like no other individual. No holding back at Koteki Dojo either, when you get hit you get hit! It’s been a long time since I’ve trained like that. I can’t say that I have learned everything that was taught , but I can say that my learning capacity was satiated to the point that my body took in all that it could hold.  His expression of the Tiger and Dragon’s relationship to one anther in Jupppo Sessho, has changed drastically how I relate to freedom of expression and movement.

At this point the only expression that I have for Anthony, Koteki Dojo and my new Buyu that train there, is gratitude. I humbly thank each and every one of you, especially Anthony for taking me in and allowing me to feel at home. I can gratefully say that I now have two homes, one in Austin Texas and the other in New York. My heart overflows with gratitude.

Brian Gore.

Stop fighting against yourself by Arnaud Cousergue Shihan

Posted in Budo Taijutsu on October 18, 2007 by Anthony Lucas

I found this article to be a prevalent tool for training. 

It is often said in the martial arts that the more important thing is not your ability to fight in a real situation but to fight your Self. It may be true at the philosophical level.

But there may be another reality. I am often surprised to see my own students being unable to do the “right thing”. Their move is not correct, timing is wrong, distance is wrong.

One reason for that is that they are following a sequence that has just been taught: 1, 2, 3, and 4. They do not do the movement they repeat a sequence of movements. Students always copy their teacher. Copying is not moving, monkeys copy, carbon paper copy but they are not like the originals. To be successful one has to be moving with his own movements. This is why we have to repeat constantly basics such as Kamae, Ukemi, Kihon Happo and Sanshin no Kata.

But even if you repeat these basics at each class something is missing. Above the movements lies The Correct Movement. And this Correct Movement is beyond your grasp. Rene Descartes, a French philosopher in the 17th century wrote a book called “A Discourse on Method” in which he gives a methodology to understand things that are not understandable.

It comes in four parts:

First. Never believe something is true before you have acquired an inner knowledge of it, avoid haste and preconceived ideas, give everything a thorough analysis so that this truth becomes true reality in your mind.

Second. For each problem to solve cut it into as many elementary bits as necessary so that the problem becomes easier to solve.

Third. Put your thoughts into a logical order, beginning with the simplest elements that are easy to grasp and ending with the hardest, so that your thinking process is able to build himself step by step gradually to allow you to understand properly the whole problem.

Fourth. Have a global vision and understanding of the problem to be sure not to forget any other possibility of setting it correctly.

If you follow these four rules in your training (they can also be applied in your life) your basics will evolve and your Taijutsu will improve dramatically. But you will still be missing the spirit, the breathing (spiritus in Latin means to breathe). You will end up with a sequence 1, 2, 3, 4, better than the previous one but a sequence.

This “spirit” is the thing that is above your grasp. This is what makes Sensei’s movements look perfect. This “spirit” is what you are missing. Descartes’ methodology can help you find a technical solution but it will not give you the “spirit” for it.

Following the Rationalism of Descartes you will be able to deal with things and objects but not with life itself. To illustrate this, let us take an example.

You have a bag full of marbles and want to know how many marbles of each color you have in your bag. The concept of “bag of marbles” is easy to get. But this concept does not give you the knowledge of what is exactly inside the bag. So you empty the bag on the table and you see three blue marbles, two yellow marbles and three green marbles. Having done that you know what you have 1 bag + 3 blue marbles + 2 yellow marbles + 3 green marbles. When you put them back into the bag you have the knowledge of what is inside the bag (8 marbles of three colors).

So far this is how you deal with Bujinkan techniques. At the Taihen level (physical training) you copy a bag of marbles. At the Kuden level (experience) you know the parts making the movement possible. But where is the spirit? If you do not go beyond this point you will not get the “spirit”, in other terms you will still miss the essence of the movement (no breathing, no movement). Your movement will be better but it will be again a sequence 1, 2, 3, 4.

The spirit is in life, the method is good for things that are inanimate not for human being. Take a human being, alive. Cut the head, the arms, the legs, take out all the organs and ask the best surgeon on earth to put everything back in place, you end up with a dead human being. You don’t have what made him alive at the beginning. So how can you put this “life” or this “breathing” into your movements and forget forever those sequences?

The answer is to stop fighting yourself!

You are often fighting someone like you. When you are training, what you see is yourself. You imagine that your opponent is a carbon copy of yourself. You do not listen to his requirements. You try to fight someone just like you, not understanding that your Uke can be younger or older; that Uke can be taller or smaller; that Uke can have larger or smaller body movements. In other words when you train you do not fight Uke, you fight another yourself.

You do the same with Hatsumi Sensei. When you watch him in a technique you see yourself do the movement. You think that by copying his movement it can be yours. This is not true!

“Stop fighting yourself” can be understood as “stop thinking yourself as the reference point for everything”. Accept Uke in your movements. If you train seriously with the basics and if you see Uke as being him and not you, you will get the proper distance and the proper timing. Your Taijutsu will adjust itself naturally to Uke’s movements and “life” will appear naturally in your movements.

After the Taihen level (mechanics), the Kuden level (experience) you will reach the Shinden level (inner understanding). A new Sanshin no Kata for your evolution!

By the way, the Japanese word for this concept of “spiritus” could be “Shin” or “Kokoro”. Keep training hard.

Exploring & Understanding the Parallels

Posted in Buyu Share on October 17, 2007 by Anthony Lucas

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Brian Gore and Merridith Allen of the Bujinkan Koteki Dojo both run their own training groups. For contact info please email me. Here is something Merridith wrote from her experience this past week. With her permission I added article to our buyu share catergory for those whom might find this share interesting. Please continue to visit our blog and more so,  your invited to attend any one of our training. We now have three groups for budo taijutsu training.

Today, while doing some literature homework, I came across a concept which I think might be helpful in terms of training.  That is the concept of ’signifier’ and ’signified.’  A signifier is a word, a picture or tangible or visual thing, and the signified is the ‘concept’ which the signifier refers to.  For example, the word ‘tree’ a picture of a tree and the actual tangible tree are all signifiers for what is commonly agreed upon as the concept of a tree.  The signified is always a concept – it is not tangible – it cannot be seen or touched or even explained, but only referred to through signifiers. 

  We’ve all heard that the physical expressions of the techniques (kihon, gyaku and nage waza techniques from the densho) are only vehicles – excuses to explore the ‘feeling’.  The actual feeling (which is the signified thing) cannot be taught or explained generally because it is an individual experience – the feeling cannot be seen.  My taijutsu will be different from my teacher’s taijutsu,or my peer’s taijutsu because of this - even if we are taught the same techniques (these are the signifiers) they will be expressed in a different manner.  

  This is why we must pay keen attention to the words of the techniques – and deciphering what their meaning is on a very subjective basis.  A Japanese translator once told me that the interpretation of the Japanese language is unique to each person because the words, formed from the characters, can mean many different things, so the individual person derives their own personal meaning from all of that.  For example, there is a technique in the sabaki gata level of the Kukishin School called ‘chikusei’ – the voice of the bamboo break (the sound of the bamboo split).  That’s a recent interpretation from Noguchi sensei last April.  That is what the words of that particular technique mean to him – so he expresses that technique with the feeling he derives from those words.

  So perhaps it would be helpful to try that as an exercise. Once the technique has been practiced and learned mechanically, factor in the feeling of your interpretation of the meaning of that technique and see what happens! 

The Journey for Budo Taijutsu

Posted in Buyu Share on October 17, 2007 by Anthony Lucas

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Brian Gore and Anthony Lucas of the Bujinkan Koteki Dojo. Brian Gore made the journey from Austin Texas to New York this past week. For five days Brian endured rigorous training. Brian showed fortitude, dedication and kokoro. Brian arrived on thursday and trained til monday afternoon. We studied all the basic kamaes from kyu grade to shodan. The sanpo kosshi kihon we revisited and tweak a new approach to it. Goho no kata was shown and how to apply these gyaku & nage wazas with little strenght and force yet controlling the space and breaking the balance as a result of using the legs (i.e. whole body) and proper angling. We went over most of the nage waza’s from the kyu level to more intense levels. The idea was to not intentionally throw or drop uke on his/her back or stomach. Where ever uke lands (back or stomach) it was stressed to control using “omote or ura gatame locks”. This has to happen naturally in order to understand the dynamical of gravity. Brian was so eager to learn and share. We used tombu and bokken (tachi and katana) to express the kankaku of kuki taisho. I took some basic cuts from happo kiri and insist upon everyone to explore these fundamentals and discover their natural movements. Give life to these kiri waza’s. We toyed with bo no uchi kihon also and did the same. The weekend was very tiring and exhusting for me, because I wanted to give Brian a basic introduction (crash course) on the way we follow our syallbus. It was’nt easy because in our program, the pupil has to understand and learn the vocabulary, history and techniques from 9th kyu to shodan. Unfortunately we only had time to cover mostly the 9th kyu. We talked alot about the tiger (attacking, etc) , dragon (holding, seeing the solution, etc) and how the child fearlessly plays with the demon, etc. Overall it was a good week of training with brian and everyone. I learned alot. Any instructor who does’nt learn from their pupils and always teaches, misses a very significant part of there training.

Anyone in the Austin area or visiting who wishes to train with Brian and his group can email me for his contact info.

 Regards to you all,

Anthony Lucas – Bujinkan Shidoshi